Button - West Highland Terrier

This is the middle section of the painting: shadows are added in increasing depth. In the middle one you can see how hues of yellow, orange, brown, purple, blues and even greens have been added to the fur to give it depth. The background has been given more depth and texture, then greys, reds and browns have been painted into the shadow side of the face. The final part of the painting is more subtle as fine details are painted in and more attention paid to the hue shifts within the shadows. Keep watching!!

Button - West Highland Terrier

This new commission of Button, a west highland terrier, is for a highly detailed painting in acrylics on a large canvas board size 841 x 594 mm. The photo I'm working from was taken on a phone so there's not a huge amount of crisp information for me to work with but the client has sent me some other slightly bigger photos. I started by sketching Button's face onto the canvas board and created a rough tonal under-painting to mark areas of shadow. Then I added texture paste to the fur to create highlights and textural interest. A strong background colour has been painted in to enhance the highlights and now I'm starting the process of building up the subtle tones and colours in the fur. It's lovely working on a really large panel and a portrait at this size I'm hoping will be stunning.

Corporate Portrait

After working on Oz's skin tone and adding more depth to the shadows on her face I spent some time blending in the colours and sharpening up the details. I mixed my own dark browns and blacks before finally adding carbon black into the darkest areas of her hair and eyes. I think I'm finally happy with her portrait - I just hope she is!!

Corporate Portrait of Oz

Another addition to a London based computer training company's Wall of Shame Fame coming up! This is Oznur, the administrator at Mouse Training, who looks nothing like Tori Amos as you can see from the photograph. But after first sketching her onto the 16 x 20" box canvas I mapped out the tonal values with paynes grey before laying down base colours of ultramarine blue mixed with burnt sienna for the background and burnt sienna for her hair. This tends to harmonise the painting from the start. Next I painted a light wash of flesh tint across the whole of her face and neck and introduced more burnt sienna into the shadows. Now I start introducing other colours like crimson and cadmium reds on her lips and eyes, a touch of ultramarine blue and raw umber into the shadows and a lot of burnt umber into the hair and eyes. I've still got a long way to go but the structure and base colours are at least now in place.

Civil Ceremony Portrait

This portrait is pretty much finished, I just need to look at it again in proper daylight and not just under my daylight bulb! Being that it's A4 size each tiny pinhead of pigment can totally change the shape of the features so this one has been fiddly. From the previous entry I added light pink pastel all over to smooth the skin tones and create the base layer before fixing it. Then I carefully added reds, yellows, oranges, blues, greys and greens to the skin, taking care to blend well and knocking a colour back with the pale pink if too much pigment was applied. Then when I was happy with the depth and colour I sharpened my pencils and sharpened the features, adding freckles and wisps of hair and highlights on jewellery.

Civil Ceremony Portrait

This latest portrait has been commissioned as a gift for a couple who are having a civil ceremony this September. It is A4 size in soft pastel and so far as you can see I have been building up the skin tones. Now the base layer is down I have fixed it so I can build on the depth of colour and concentrate on getting the tonal values right. It's fiddly working at this size with pastels as the smallest move of coloured dust can totally change the shape of the features. Teeth and eyes are particilarly hard and I'm having to sharpen my pastels frequently. I hope the next layer of colour behaves itself!

Watercolour flowers

I was presented with some beautiful sunflowers from one of my students when the Haywards Heath art class came to an end. I placed them in front of my black Victorian fireplace and the following morning came downstairs to see them bathed in sunlight. They looked so beautiful it would have been a crime not to paint them so here's the result, in watercolour, which is not my favourite medium but I fancied the challenge. And for a bit of fun I sprinkled salt into the centre on the sunflowers to create texture and in some lights it now looks slightly sparkly.

Then while I had my paints out I had a go at painting some daffodils in a looser style working mostly wet-in-wet. I think this one better captures the brightness of sunlight but I like both of them for different reasons. I bought some coloured mounts from my framer, which set them off a treat, ready to sell on my website!